I began filming super 8 animations and videos back in 2003. It all started after I witnessed Martha Colburn execute her eye-popping animating techniques. All the frame counting taking place in stop-animation has an intrinsically close relation with writing out rhythms and with timing in music. From then on, I have tried out and experimented with different techniques, most of them rooted on an analogue aproach. I decided to include this section to the site since making experimental films has enriched my take and perspective on composing.
A parable on mexican popular sincretism. From the 'Deformative Studies' cycle. It features a live soundtrack by The Warlips.